Buñuel

BUÑUEL is the sound of a difficult situation made worse by an unwillingness and an inability to play nice. If slotting it in a genre makes it easier for you to understand, just so you have something to file it under, mark it down as Heavy. With a capital H. 
 But not heavy that's in any way predictable, BUÑUEL’s amalgam of angular rhythms, drum salvos, blitzkrieging guitars and vocals that sound more like threats than promises is post-punk, proto heavy and arty up the ass. Arty as in avant-garde noise. 
 Named after the Spanish filmmaker Luis Buñuel, the only filmmaker to first make his bones by making good on what happens when straight razors meet eyeballs, BUÑUEL's newest Killers Like Us -- the third part of a trilogy that started with A Resting Place for Strangers, and then The Easy Way Out – is a killer addition to the canon of good music for bad people. 
 Produced by a near-super group of global significance BUÑUEL boasts the sound work of the Italian trio of guitarist Xabier Iriondo (Afterhours), the bass of Andrea Lombardini (The Framers), and the drums of Francesco Valente (Snare Drum Exorcism), along with the vocals of Eugene S. Robinson (Oxbow).